While most infrared photography is shot during the summer months in bright sunlight, you are not limited to shooting infrared during the day or even during the summer. Artificial lights can produce compelling infrared night shots. In this video, I’ll walk through four types of processing infrared images shot with artificial lights. For many scenarios, it is even easier than processing daytime color infrared images. Hopefully, this will inspire you to brave the cold and shoot.

Video

Fujifilm GFX 50S, GF 45mm f/2.8, 590 nm filter, Profile: B&W 02 and color grading Fujifilm GFX 50S, GF 45mm f/2.8, 590 nm filter, Profile: B&W 02 and color grading Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -50 Fujifilm GFX 50S, GF 45mm f/2.8, 590 nm filter, Profile: Infrared Temp -100 Fujifilm GFX 50S, GF 45mm f/2.8, 590 nm filter, Profile: Infrared Temp -100 Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: Infrared Temp -100 and Hue shift Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB G-R Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB G-R Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB G-R Fujifilm GFX 50S, GF 30-70mm f/4.5-5.6, 590 nm filter, Profile: -100 RB G-R

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